assemblage

of art & literature, found images, and New York & London
assembled by MNL
bitforms:

Gold gold gold. #yaelkanarek #highperformancegear

bitforms:

Gold gold gold. #yaelkanarek #highperformancegear

Lucian Freud, Woman Sleeping 1995

Lucian Freud, Woman Sleeping 1995

blackcontemporaryart:

Tim Rollins and K.O.S.
Adventures of Huckleberry Finn - Out of Bondage (after Mark Twain), 2011
Matte acrylic, book pages on canvas

blackcontemporaryart:

Tim Rollins and K.O.S.

Adventures of Huckleberry Finn - Out of Bondage (after Mark Twain), 2011

Matte acrylic, book pages on canvas

Ralph Fleck, Timanfaya 8/VII 1997, oil on canvas 40 x 60 cm
Love his build up of paint, texture, and use of color.

Ralph Fleck, Timanfaya 8/VII 1997, oil on canvas 40 x 60 cm

Love his build up of paint, texture, and use of color.

Regarding Warhol: Sixty Artists, Fifty Years @ the MET

image

While the concept of this show, to demonstrate the influence Warhol has had over the past 50 or so years,  is not necessarily unique, the show is well organized and provides a rare opportunity to view the work of probably the most influential contemporary artists all together in one show. The show is composed of five sections: “Daily News: From Banality to Disaster,” “Portraiture: Celebrity and Power,” “Queer Studies: Shifting Identities,” “Consuming Images: Appropriation, Abstraction, and Seriality,” and “No Boundaries: Business, Collaboration, and Spectacle.”

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Some of my personal highlights included Jeff Koons’ Michael Jackson and Bubbles, the room wallpapered with Takashi Murakami flowers, and of course Glenn Ligon’s Malcolm X (in case you didn’t already know from my previous posts, Ligon is one of my favorite artists).


On view at the MET through December 31

Alina Szapocznikow: Sculpture Undone, 1955–1972

Before seeing this show, I was unfamiliar with Szapocznikow’s work. But I was very impressed with the intricate detail  of the colored polyester resin sculptures and the unexpected juxtapositions and placement of body parts. While creating sculptures of various body parts is not necessarily new, what interested me was the placement and use of the body, particularly the lips and breasts, in everyday locations, such as lip lamps (below).

I would highly recommend this interesting retrospective. The show was well designed and provided a solid survey of the artists’ work during the selected period.

The show is on view at MoMA, New York, through January 28.

Diem Chau, Was, 2010
Porcelain plate, organza, cotton fabric and thread

Diem Chau, Was, 2010

Porcelain plate, organza, cotton fabric and thread

Stephen Doherty, Sauna Faces series, 2011

Materials: Crayon, coloured-pencil, watercolour, on coloured paper